Saturday, December 4, 2010

Chapter Five: Part 1, Life After Met Life





My last day at Met Life, I said goodbye to Katie, Rhonda, Shirley, and others, including Grace, whose husband was a “garbage man” (not a scavenger or refuse engineer). Grace didn’t have to work, she said, he made enough money, but she wanted to be out of the house before he came home at eight from his shift because he brought the smell of garbage with him which took all day to get rid of. They lived in a house in the Sunset which had an area outside the utility room where he changed and showered. Then he’d wash his clothes immediately and open all the windows to let in the fresh ocean air to blow away the smell before she came home at six.

(Garbage trucks were like scows back then - - huge open gondolas about 15 feet deep, with metal foot rests on the sides. “Garbage men” wore a leather cape over their shoulders. On their routes, they’d wheel huge round containers into side allies, garages, and basements, lift and dump full metal garbage cans into them; the men had to be strong. Then, with a horrific clanging and banging, they’d literally toss the empty cans and lids aside, making enough noise to wake up entire neighborhoods. When the containers were full they’d roll them to the open truck parked in the middle of the street, sling them on their back - - why the leather cape - - then climb up the side of the open gondola and dump the contents into it.


They would sing operatic areas con brio as they worked, which almost compensated for the clanging and banging. Once the behemoth trucks were filled, the men would throw a huge tarp over the top and tie it down. Sometimes they’d get in and stomp on the piles of garbage to make room for more. When I first moved back to the City, I’d stayed with an aunt for a while who lived in Navy housing on Hunter’s Point. On my way home from school, I’d see these juggernauts hauling ass down Third Street to Bayshore Blvd - - men hanging off the sides - - tarps flapping and pieces of garbage flying off behind them, with strains of a Radamés aria from “Aida” wafting in the air, mingled with smells of garbage. They'd unload at the county dump off the Bay near Brisbane. It was rumored that the Mafia ran the scavenger companies. According to Grace, you had to be Italian to get a job and the money was great. Still, the newer “green” closed trucks make more noise with their pneumatic lifts, the shaking and thumping of heavy duty plastic containers. And they’re on the street two or three times a week: to collect from the recycling bins, then the composting bins, and last landfill. The saddest part: the collectors no longer sing.)



I also said goodbye to self-proclaimed spinster, Lillian, an Italian-American Catholic who had called me a pagan because of my non-denominational stance, though she insisted I could at least say I was a Protestant, which, of course, I refused to do. She had written me off, but did manage a weak smile; and hyperactive Florence who popped aspirin like M&Ms.





Thus began a transition period where I divested myself of Harry through a marriage annulment arranged by his folks with their family attorney, married Ed, a teamster whom I’d met one summer on a visit to my Mom and stepfather’s place in Portland, and started a family. After my third child was born, Ed agreed to let me get a part-time job in the evenings after the kids were in bed so I could have my own “pocket” money. I scanned the want ads and found an opening at the Presidio Theatre in the Marina. At that time, it featured foreign films, which I was and am really into (The Presidio later became an “adult” movie house; then shut down because of the complaints from well-to-do families in the Marina District. Decades later, it re-opened as a mainstream movie house and remains so today). I got all dressed up and was interviewed in a tiny cubby-hole office off the lobby by Rita, the manager, a tiny woman dressed completely in black with her black hair in a chignon. She had tiny, mean-looking, dark-brown eyes and a sharp nose - - features which should have warned me what was to come - - but she seemed nice and needed someone to start immediately. I was hired to fill in - - fill in for what, I asked. “Oh, you’ll do the box office when Linda’s on break, and usher when Tom’s on break, and the concession stand, when Ella’s on break.” Ushering I could do. Box office, concessions - - uh-oh, those required handling money. Oh, well, I thought, it would be just fifteen minutes; I can handle it. Rita added that when I wasn’t spelling the others and the audience was seated, I was to carpet sweep the lobby.


Ironically, it turned out that Rita lived on my block and offered to drive me to work. I thanked her, but declined. I have this thing about getting too close to one’s boss. It meant we’d have to talk and I didn’t want to.



The film “Gervaise” was playing during the week I was there. It starred Maria Schell, sister of Maximilian, a good actor who now does Stella Artois commercials. “Gervaise” was one of the most depressing films I have ever seen, but it opened with a most beautiful soaring waltz over the credits. I did sort of okay jumping from ushering, to concessions, to the box office, which was the worst. You’re in this glass box in front of the theatre and you take money and press levers, and the tickets pop out of a slot in a metal counter you sit in front of. And the telephone at your elbow rang constantly. People would call while I was taking money for tickets, making change, and pressing levers, and handing tickets to people. Not like today where when you call (or go on-line), you get a menu to choose from, giving you all the information about the theatre and the movies that are playing. Even the ratings. This was way before ratings. People called to ask me what the film was about. Or worse - - if they could take their children. I was not the one to ask.




Coming up: Part 2. Early exposure to films; Ed pays a visit and I get a feel for Rita's wrath; fired for waltzing with an inanimate partner; I try again at the Bridge Theatre and am undone by the phone. I come to admire people who work in small theatres. A separation, I take the kids and move to LA.